Signs & Remains in The New Yorker
/"Even if the color photographs in Ferrario's show weren't unframed and pinned directly to the walls, they'd still feel provisional. They're like quick notes made in passing, remarks on built-and often deteriorating-environments. Ferrario isn't the only photographer paying attention to this abject subject, but she is one of the wittiest and most voracious."
—The New Yorker, December 13 - January 12, 2012